Umberto D.

7.879
  • Genre:Drama
  • Production:Amato Film
  • Released:1952-01-20
  • IMDB:tt0045274
When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.
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86 %

Audience ratings of Umberto D. is higher than 86 % of all movies

34 %

Box-office revenue of Umberto D. is higher than 34 % of all movies

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Latest News

Umberto D movie review & film summary  Roger Ebert

Umberto D. – Review  Cinema from the Spectrum

Umberto D. (United Kingdom, 1952)  Reelviews Movie Reviews

Umberto D. (1952) | The Definitives  Deep Focus Review

Blu-ray Review: Vittorio De Sica’s Umberto D. on the Criterion Collection  Slant Magazine

Umberto D Review  empireonline.com

The Gaze of an Old Man Pierces in ‘Umberto D.’  PopMatters

Miracle in Milan (1951) - Movie Review  Alternate Ending - Movie Reviews

Blu-ray review: 'Umberto D.'  San Francisco Chronicle

Movie Tuesday: Doggiewoggiez! Poochiewoochiez!  Chicago Reader

Revisit: Umberto D.  Spectrum Culture

5 Phenomenal Movie Dogs  Keith & the Movies

Selma; Love Is Strange; Taken 3; Wild Tales; The Green Prince; Far From the Madding Crowd; Umberto D – review  The Guardian

Screen: Honest Realism; De Sica's 'Umberto D.' Is Story of Old Man (Published 1955)  The New York Times

Movie Review: SF Chron’s Mick LaSalle’s ‘Masterpieces Film Festival’  Richmond Review/Sunset Beacon

Umberto D.  The Criterion Collection

Why Vittorio de Sica is one of Europe’s greatest tragic film-makers  The Guardian

UMBERTO D. (1956) (****)  Animation World Network

Miracolo a Milano (Miracle in Milan), the resistance of neorealism  Festival de Cannes

Can Someone Tell Us What Happens to Animals in Movies?  HuffPost

Neorealism: What remains of the movement that changed world cinema, but couldn’t change Italy?  EL PAÍS English

Interview: Ebert Club Member Greg Salvatore Responds to "Life Itself"  Roger Ebert

The Tweaked Neorealism Of DOGMAN  filminquiry.com

‘The Bicycle Thieves’ Is Italian Neorealism at Its Absolute Best  Collider

Top 5 Geriatric Movies  Alternate Ending - Movie Reviews

Against “Wendy and Lucy”  The New Yorker

CRITICAL MASS | OPINION: Can art make us better people? A few filmmakers try  The Arkansas Democrat-Gazette

Meet the Writers: Nick Allen  Roger Ebert

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