6.924
  • Genre:
  • Production:DisCina
  • Released:1953-02-25
  • IMDB:tt0046487
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
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Latest News

REVIEW: “Mr. Hulot’s Holiday”  Keith & the Movies

Jacques Tati | Gallery - Promo  ČSFD.cz

Monsieur Hulot's Holiday (1953) - Photos  IMDb

M. Hulot's Holiday (1953) | The Definitives  Deep Focus Review

Jacques Tati’s M. Hulot’s Holiday  MoMA

Film School: Monsieur Hulot’s Holiday  Paste Magazine

Jacques Tati and French film comedy  The Guardian

Year of the Month: Mon Oncle  The-Solute

Monsieur Hulot’s Holiday Review  empireonline.com

Where Have You Gone, Monsieur Hulot?  PopMatters

Blu-Ray : Highly Recommended  High Def Digest

Michael Wood · At the Movies: ‘Playtime’  London Review of Books

A Moment with Jacques Tati  The Criterion Collection

Jacques Tati returns as Monsieur Hulot in Mon Oncle  AV Club

Monsieur Hulot's Two Holidays: Comparing Different Cuts of Jacques Tati's Classic  IMDb

Onlookers review – snapshots of a south-east Asian country shaped by tourism  The Guardian

5 PHENOMENAL FRENCH LANGUAGE FILMS  Keith & the Movies

Happy vacances: Jacques Tati's France  The Guardian

Jacques Tati and the Architecture of Comedic Cinema  Collider

“Silent” Films  BAM | Brooklyn Academy of Music

Jacques Tati: the graceful comedian who bridged silent-era mime with new wave  Hero Magazine

David Lynch’s Favorite Films: 10 Movies the Director Wants You to See  IndieWire

10 films kids will love – and so will you  The Guardian

French Film: Top 5 Jacques Tati Movies  France Today

“Silent” Films  The Criterion Collection

Alan Rudolph’s Top 10  The Criterion Collection

10 Best Jacques Tati Movies, Ranked  Collider

Trafic movie review & film summary  Roger Ebert

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