Latest News

‘The Occupation Defines the Resistance’: The Devastating Nature of Resilience in Paradise Now  Bright Wall/Dark Room

Paradise Now's Understated Power  Middle East Research and Information Project

"Paradise Now" Grapples With the Moral Grayness in Us All  The Swarthmore Phoenix

Interview with Hany Abu-Assad, Palestinian filmmaker ( Paradise Now Omar ): “Gaza is the Bastille of our day … a lot is going to change”  World Socialist Web Site

"Paradise Now" director tackles taboo of collaboration in new film  The Electronic Intifada

Paradise Now  The Guardian

Nani’s Paradise Gets Crowded With ‘Versatile Villains’  Gulte

The Poetics of Politics: An Interview with Hany Abu-Assad  Jadaliyya

From Turtles Can Fly To Paradise Now: Film Roundup On War Stories Amid The Middle East Conflict  ETV Bharat

Questions, from here to eternity movie review  Roger Ebert

New trouble for Paradise Now  Al Jazeera

Review: Paradise Now (Palestine, 2005)  Cinema Escapist

Review: Paradise Now  Slant Magazine

‘Paradise Now’s’ Lubna Azabal, ‘A Prophet’s’ Slimane Dazi Join ‘El Houb’ (EXCLUSIVE)  Variety

Paradise Now  openDemocracy

Paradise Now nominated for Golden Globes  The Electronic Intifada

Paradise Now! review – sharp satire of girlboss extremes  The Guardian

Palestine gets its first Oscar nomination with Paradise Now  The Electronic Intifada

Sympathy for the Devil: Palestine’s Tragic Collaborators  Jadaliyya

All the awards and nominations of Paradise Now  Filmaffinity

The Palestinian Invasion: Will “Paradise Now” Be the Biggest Arabic-Language Film Ever?  IndieWire

Paradise Now  Box Office Mojo

‘Songs of Paradise’ brings Kashmir’s nightingale back to life on screen  Deccan Herald

Hany Abu-Assad on Palestinian Thriller ‘Huda’s Salon’ and Using Anger to Make “Art With Meaning”  The Hollywood Reporter

Hany Abu-Assad on ‘Omar’ and Strange Coincidences  The New York Times

Important Palestinian films, new and old, available for viewing  World Socialist Web Site

Paradise Now: The Legacy of “Descendants”  Newcity Film

With “Omar,” Director Hany Abu-Assad Rediscovers Palestinian Cinema  The Indypendent