6.87
  • Genre:
  • Production:Alpha Productions
  • Released:1963-10-01
  • IMDB:tt0057336
In the seacoast town of Boulogne, antique furniture saleswoman Hélène lives with her stepson, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit, Alphonse, with his niece Françoise; he too is back from Algiers, where he ran a café. Bernard speaks of his fiancée, Muriel, whom Hélène has not met. The past is obscured by guilt, misperceptions, and missed possibilities. Appearances deceive, things change. As Hélène and Alphonse try to sort out a renewal, everyone seems off-kilter just enough to hint that all cannot end well.
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Latest News

‘On Swift Horses’ Movie Ending Explained & Summary: Who Does Julius Choose?  IMDb

The Power of Memories: ‘Muriel’ and ‘Cemetery of Splendor’ (Published 2016)  The New York Times

The Film That Yields Nothing on a Second Viewing—or a First  The New Yorker

TRAVEL AGENTS: ALAIN RESNAIS’S JE T’AIME, JE T’AIME AND THE CINEMATIC TIME MACHINE  Artforum

Film Review: On Swift Horses  Towne Post Network -

Whatever Wednesday: ‘Muriel’s Wedding’  The Fandomentals

Berkeley retrospective puts wonder of French actress Delphine Seyrig on display  San Francisco Chronicle

You’re Terrible, Muriel  Consequence of Sound

Daisy Edgar-Jones and 'On Swift Horses' director explain that 'ride into the sunrise' ending  Entertainment Weekly

Swoony Sunday Film Review: "On Swift Horses"  Substack

Muriel McKay's family offer £1m reward to find body  BBC

Who was Muriel Box, Britain’s most prolific female film director?  The Guardian

Victor Erice’s lost time  Engelsberg Ideas

A Scorsese Interview, Fire Walk With Me on Vinyl, Kodak Brings Back Ektachrome!  The Criterion Collection

Muriel's Wedding is a feminist masterpiece and more relevant than ever | Karen Pickering  The Guardian

Into the Dark Heart of a Novelist Who Was ‘Something of a Witch’  The New York Times

Alain Resnais 100  The Criterion Collection

‘On Swift Horses’ review: A mostly worthwhile old-Hollywood drama  The Seattle Times

On Swift Horses Review: Untapped Potential  Loud And Clear Reviews

‘The Quiet Son’ Review: A Timely Story Of A Family Torn Apart By Tragedy  Deadline

“I’m So Attracted to the Stakes of a Real Human Life”: ‘On Swift Horses’ Daisy Edgar-Jones on Comparisons to ‘Normal People’  Collider

From Proof to Muriel's Wedding: Jocelyn Moorhouse on the films that broke Russell Crowe and Toni Collette  The Guardian

Meet the Two Sisters Who Co-Directed a Brutal but Bloodless War Movie  No Film School

On Swift Horses Review: Jacob Elordi and Daisy Edgar-Jones explore their sexuality in this period drama  JoBlo

Time Out movie review & film summary  Roger Ebert

Movie Review: ‘On Swift Horses’ is a fumbled queer tale set against atomic blasts  CityNews Halifax

From Muriel’s Wedding to Moulin Rouge: inside Jill Bilcock’s frantic world of film editing  The Guardian

Celebrating 30 years of Muriel’s Wedding!  Now to Love NZ

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