Orson Welles: The One-Man Band

Latest News

Orson Welles' Legendary Career Was Sunk by This Cursed Sea-Faring Drama  MovieWeb

Editing Is the Aspect: Orson Welles and the Alternate “Mr. Arkadin”(s)  Popdose

The Strange Story of Orson Welles’ Lost Film, Mr. Arkadin  CrimeReads

‘Orson Welles was fundamentally insecure as an actor’  The Washington Post

A Lost Orson Welles TV Pilot That’s As Groundbreaking as “Citizen Kane”  The New Yorker

So long, Orson Welles  The Spectator

Crowdfunding request: Rescue Orson Welles' last film  CBS News

Book review: Simon Callow explores Orson Welles’ audacious middle years  South China Morning Post

Home Entertainment Review: F For Fake  That Shelf

Celebrating Orson Welles and the Triumph of “The Third Man”  Town Topics

Othello: In Pieces  The Criterion Collection

'The Other Side of the Wind' Review: At Last, Orson Welles' Final Film  Variety

Rare Welles No Longer Unseen: Chimes at Midnight and The Immortal Story on Criterion  Film International

Why Orson Welles lived a life like no other  The Guardian

Archivists Find Fragments of an Unfinished Orson Welles Autobiography (Published 2015)  The New York Times

Biographer Simon Callow on Orson Welles: ‘He Was Deeply Insecure’  Variety

Young Orson: The Years of Luck and Genius on the Path to Citizen Kane by Patrick McGilligan  Film International

'Orson Welles, Volume 3': The genius as glutton  Inquirer.com

Orson Welles: the graphic artist  Studio International

Review: Criterion's CITIZEN KANE, The Citizen Kane of Criterions  ScreenAnarchy

Orson Welles’s Diaries and Scripts Head to Archive (Published 2017)  The New York Times

Jazz Jottings September 2017  The Syncopated Times

Andrew McCullough, Who Directed Orson Welles and James Dean on Television, Dies at 94  The Hollywood Reporter

Mysteries of The Deep: The Making and Unmaking of Orson Welles’s Dead Reckoning  Bright Lights Film Journal

Blu-ray Review: Orson Welles’s F for Fake on the Criterion Collection  Slant Magazine

Orson Ascending: The Stranger (1946) from Kino Classics and Othello (1951) from the Criterion Collection  Film International

8 Unreleased Movies We’re Dying to See  Flavorwire

The Greatest Crime Film of All-Time: The Third Man  CrimeReads