7.7
  • Genre:
  • Production:The Metropolitan Opera
  • Released:2017-11-18
  • IMDB:tt6889834
After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.
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Latest News

Adès’ “Exterminating Angel” proves spellbinding in Met’s American premiere  New York Classical Review

GP at the Met: The Exterminating Angel ~ About the Opera | Great Performances  PBS

The Opera to See This Weekend: The Exterminating Angel  Vogue

An Explosive Opera of “The Exterminating Angel”  The New Yorker

‘The Exterminating Angel’ at the Met  Tablet Magazine

Thomas Adès's 'Exterminating Angel' Is This Week's Metropolitan Opera Broadcast  WQXR

Angel in America  Metropolitan Opera

Metropolitan Opera 2017-18 Review - The Exterminating Angel: Thomas Adès Opera May Prove Polarizing Emotionally  OperaWire

‘The Exterminating Angel’ Brings Together Opera and the Movies (Published 2017)  The New York Times

From The Top: Impulsively escaping routine and responsibility is healthy  Daily Trojan

‘The Exterminating Angel’ Review: Guess What’s Coming to Dinner  WSJ

Dewey Faulkner: "From Films to Operas"  The Yale Review

Audrey Luna in The Exterminating Angel: The highest note in New York  BBC

Review: A Compassion-Free 'Exterminating Angel' Stumbles to Find A Voice | Operavore  WQXR

Composer Thomas Adès Discusses Surreal Influences for The Exterminating Angel  PBS

Your Guide to the Met Opera’s ‘Exterminating Angel’ (Published 2017)  The New York Times

At the Met Opera, a Note So High, It’s Never Been Sung Before (Published 2017)  The New York Times

Hear the Surreal Instruments of the Met’s New Opera (Published 2017)  The New York Times

Opera Profile: Adès’ Hit, ‘The Exterminating Angel’  OperaWire

INTERVIEW | Tenor Frédéric Antoun On The Dinner Party From Hell At The Met  ludwig-van.com

Highlights From the Met Opera’s 2017-18 Season (Published 2017)  The New York Times

Hear the Highest Note Ever Sung at the Metropolitan Opera  HowStuffWorks

New York, Metropolitan Opera: “The Exterminating Angel”  GBOPERA

​Five Films That Share Themes with 'The Exterminating Angel'  Exclaim!

Another Bay Area movie theater closes, taking a trove of operatic memories with it  San Francisco Chronicle

Thomas Adès Takes a Step Toward the Classical Music Canon (Published 2024)  The New York Times

Stephen Sondheim Hopes His Next Musical Will Be Produced in 2017 (Published 2016)  The New York Times

‘Colette’ Opens Door to Film Scoring for Esteemed U.K. Classical Composer Adès  Variety

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