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Latest News
Adès’ “Exterminating Angel” proves spellbinding in Met’s American premiere New York Classical Review
GP at the Met: The Exterminating Angel ~ About the Opera | Great Performances PBS
The Opera to See This Weekend: The Exterminating Angel Vogue
An Explosive Opera of “The Exterminating Angel” The New Yorker
‘The Exterminating Angel’ at the Met Tablet Magazine
Thomas Adès's 'Exterminating Angel' Is This Week's Metropolitan Opera Broadcast WQXR
Angel in America Metropolitan Opera
‘The Exterminating Angel’ Brings Together Opera and the Movies (Published 2017) The New York Times
From The Top: Impulsively escaping routine and responsibility is healthy Daily Trojan
‘The Exterminating Angel’ Review: Guess What’s Coming to Dinner WSJ
Dewey Faulkner: "From Films to Operas" The Yale Review
Audrey Luna in The Exterminating Angel: The highest note in New York BBC
Review: A Compassion-Free 'Exterminating Angel' Stumbles to Find A Voice | Operavore WQXR
Composer Thomas Adès Discusses Surreal Influences for The Exterminating Angel PBS
Your Guide to the Met Opera’s ‘Exterminating Angel’ (Published 2017) The New York Times
At the Met Opera, a Note So High, It’s Never Been Sung Before (Published 2017) The New York Times
Hear the Surreal Instruments of the Met’s New Opera (Published 2017) The New York Times
Opera Profile: Adès’ Hit, ‘The Exterminating Angel’ OperaWire
INTERVIEW | Tenor Frédéric Antoun On The Dinner Party From Hell At The Met ludwig-van.com
Highlights From the Met Opera’s 2017-18 Season (Published 2017) The New York Times
Hear the Highest Note Ever Sung at the Metropolitan Opera HowStuffWorks
New York, Metropolitan Opera: “The Exterminating Angel” GBOPERA
Five Films That Share Themes with 'The Exterminating Angel' Exclaim!
Another Bay Area movie theater closes, taking a trove of operatic memories with it San Francisco Chronicle
Thomas Adès Takes a Step Toward the Classical Music Canon (Published 2024) The New York Times
Stephen Sondheim Hopes His Next Musical Will Be Produced in 2017 (Published 2016) The New York Times
‘Colette’ Opens Door to Film Scoring for Esteemed U.K. Classical Composer Adès Variety
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