Latest News

Interview: Michael Roemer on Carl Theodor Dreyer  Film Comment

Review: Carl Th. Dreyer’s The Passion of Joan of Arc on Criterion Blu-ray  Slant Magazine

Carl Theodor Dreyer’s Gertrud  MoMA

Carl Theodor Dreyer’s Most Unusual Experiment  The Criterion Collection

Carl Th. Dreyer's 'Day of Wrath' and the Power of the Punished  Quillette

Scott Reviews Carl Theodor Dreyer’s The Passion of Joan of Arc [Masters of Cinema Blu-ray Review]  CriterionCast

The Passion of Joan of Arc – Review  Cinema from the Spectrum

The Beginner’s Guide: Carl Theodor Dreyer, Director  filminquiry.com

Carl Theodor Dreyer’s films topic for BYU Scandinavian Studies lecture March 30  BYU News

Why Carl Theodor Dreyer is one of cinema’s greatest ever directors  Little White Lies

Eureka Entertainment to release a 2K restoration of Carl Th. Dreyer’s VAMPYR  Horror Society

Carl Theodor Dreyer and Ordet  hollywoodreporter.com

Suffering the Inscrutable: The Ethics of the Face in Dreyer’s ‘The Passion of Joan of Arc’  PopMatters

Carl Th. Dreyer’s Day of Wrath  MoMA

Master of the House: In the Corner  The Criterion Collection

Blu-ray Review: Carl Theodor Dreyer’s Vampyr on the Criterion Collection  Slant Magazine

Carl Theodor Dreyer’s The Passion of Joan of Arc  MoMA

Sight & Sound Poll 2012: Ordet  The Criterion Collection

The Vampiric Vanity Project That Accidentally Became a Watershed Moment in Horror  Collider

Vampyr review – Dreyer’s hallucinatory undead classic comes back from the grave | Movies  The Guardian

Henning Bendtsen, 1925–2011  The Criterion Collection

The Carl Theodor Dreyer Collection Blu-ray  Blu-ray.com

A hard winter worth braving movie review  Roger Ebert

Vampyr at 90: how Carl Dreyer conjured a waking nightmare  BFI

4 hard-and-fast rules of filmmaking... and how The Passion of Joan of Arc breaks them  BFI

Carl Theodor Dreyer’s Michael (1924): Film Review  Loud And Clear Reviews

Vampyr (1932) – Film Review. Still the stuff of nightmares.  Yorkshire Magazine

A Restored ‘Passion of Joan of Arc’ Still a Transcendent Masterpiece (Published 2017)  The New York Times