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The Gleaners and I and I  The Criterion Collection

#67 (tie): ‘The Gleaners and I’: The Reveal discusses all 100 of Sight & Sound’s Greatest Films of All Time  The Reveal | Scott Tobias

The Art of “One Hand Filming the Other” in The Gleaners and I  Crooked Marquee

The Gleaners and I (2000) | The Definitives  Deep Focus Review

The Gleaners and I  Reverse Shot

Off the Radar: ‘The Gleaners and I’ and the art of picking up what’s left behind  Washington Square News

Agnès Varda footage made available to film students  Le Monde.fr

Agnès Varda’s Ecological Conscience by Lauren Elkin  The Paris Review

I’m with the Gleaners  Roger Ebert

A New Image Education Project Based on the Work of Agnès Varda  Villa Albertine

100 Best Movies of the Past 10 Decades: The Gleaners & I (2000)  Time Magazine

How Scorsese and Netflix Inspired a New Effort to Restore Agnes Varda’s Work  IndieWire

Digital Platform ‘The Gleaners and I’ Brings Agnès Varda to Next Generation of Filmmakers  Variety

The Gleaners and I (2000) | Gallery - Photos  ČSFD.cz

The Gleaners & I (2000) - Photos  IMDb

Martin Scorsese helps to launch film school initiative of Agnes Varda’s ‘The Gleaners and I’  Screen Daily

The Gleaners and I  Reverse Shot

Interview: Carrie Rickey on 'A Complicated Passion: The Life and Work of Agnès Varda'  The Reveal | Scott Tobias

A Movie a Day, Day 80: Agnès Varda’s The Gleaners and I  Slant Magazine

MUR MURS: Documentaries From Agnès Varda at Metrograph  Villa Albertine

Women's Pictures - Agnes Varda's The Gleaners And I  The Film Experience

Agnès Varda: The Filmmaker as Rigorous Friend (Published 2019)  The New York Times

Une Française à Los Angeles: Remembering Agnès Varda  Los Angeles Review of Books

Three Great Documentaries to Stream (Published 2023)  The New York Times

First Person Singular  Film Comment

Agnès Varda’s Extraordinary Cinematic Accomplishment  The New Yorker

The Many Ways of Seeing Agnès Varda (Published 2019)  The New York Times

'Greatest of the great' - Agnès Varda: the eternally youthful soul of world cinema | Peter Bradshaw  The Guardian