Latest News

On Yasujiro Ozu  Film Comment Magazine

The Criterion Shelf: The Films of Yasujiro Ozu  That Shelf

Minding the Gaps: 'The End of Summer' (1961): “Until the moss grows”  The Reveal | Scott Tobias

A small tribute to the titanic David Bordwell, "a real cinephile"  Tone Madison

Interview: Kogonada Talks Columbus , Formalism, Ozu, & More  Slant Magazine

Refusing to Leave  Orion Magazine

Tokyo: Wim Wenders Leads Festival Tribute to Legendary Auteur Yasujiro Ozu  hollywoodreporter.com

Wim Wenders’ Japan: A Cornerstone of Subtle Beauty  Japan Nakama

How Ozu Created His Own Cinematic Language  The New York Times

UW grad Phil Johnston talks Ozu and 'Wreck-It Ralph' at Wisconsin Film Festival  The Cap Times

One Edit in Ozu's 'Tokyo Story' Tells You all You Need to Know  vocal.media

Angela Schanelec on I Was at Home, But…, the Kindness of Ozu, and Her Filmmaking Philosophies  The Film Stage

The Beginner’s Guide: Yasujiro Ozu, Director  filminquiry.com

Scott Sumner on Monetary Rules, Blooming Late, and the Death of Cinema (Ep. 231)  Conversations with Tyler

Looking Behind the Camera: Ozu Yasujirō and His Family  nippon.com

“Perfect Days” and the Perils of Minimalism  The New Yorker

“I Need Places to Tell a Story”: Wim Wenders, in Conversation with Michael Almereyda  Interview Magazine

Wayne Wang on His Diverse Filmography, Revisiting Old Work, and the Time Gangsters Visited His Set  The Film Stage

Jim Jarmusch: “What are they afraid of?”  The Talks

Art of the Real (Estate): Talking to Ira Sachs about Little Men  BKMAG

In the Mood for Film Wisdom? Spend 20 Minutes with Yasujirô Ozu or Paul Thomas Anderson  No Film School

“A Fragile Film Utopia”: Talking with Ehsan Khoshbakht  The Criterion Collection

The Only Son  The New Yorker

Yasujirō Ozu, or the greatest plagiarist that ever lived  C41 Magazine

Movie of the Week: “Dragnet Girl”  The New Yorker

If The World Is There, Roll With It: A Conversation with James J. Robinson  In Review Online

Why Would Ozu Cut to a Vase at the End of This Scene?  No Film School

Comparing Remakes, the Way of Ozu, the Films of Jean-Pierre Melville, Coens Plan Criterion Talk, and More  The Film Stage