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VERNA BLOOM  filmreviewdaily.com

High Visibility: Reexamining “Medium Cool” on Its 50th Anniversary  Los Angeles Review of Books

Medium Cool review – a landmark fusion of fiction and documentary  The Guardian

The World Keeps Watching in Medium Cool  South Side Weekly

Peter Bart: How The 1968 Democratic Convention Landed The Lead Role In (And Almost Sank) ‘Medium Cool’  Deadline

'Medium Cool' captures panic, pandemonium surrounding 1968 DNC in Chicago  Chicago Sun-Times

"Medium Cool" on multiple levels  Roger Ebert

'Medium Cool' blended fact and fiction while capturing the '68 riots in Chicago  Peoria Journal Star

Medium Cool: The radical filmmaking of Haskell Wexler  BBC

Ed Bachrach: 10 reasons to see ‘Medium Cool,’ featuring real scenes of Chicago’s 1968 DNC  Chicago Tribune

Blu-ray Review: Haskell Wexler’s Medium Cool on the Criterion Collection  Slant Magazine

Medium Cool and the Specter of ’68  Bright Wall/Dark Room

The lost Chicago of Medium Cool  Chicago Reader

Medium Cool – Review  Cinema from the Spectrum

Stay Cool  Artforum

That Ain’t Cool | Sammy Feldblum  The Baffler

Peter Bart Puts Aaron Sorkin’s ‘Chicago 7’ On Trial & Contrasts It With Last Yippie Film, Haskell Wexler’s ‘Medium Cool’  Deadline

Haskell Wexler’s Medium Cool – film review  Louder Than War

Once Upon 1969: ‘Medium Cool’ and the tumultuous end of the ‘60s  Vanyaland

Talking Screens, May 6-12, 2022: David Lynch’s Inland Empire | Haskell Wexler’s Medium Cool | Shining Girls  Newcity Film

Spending Time with Haskell Wexler  The Criterion Collection

Outer Limits, Dead End: Haskell Wexler’s Medium Cool  Slant Magazine

Violent Content: Medium Cool Reassessed  The Quietus

Robert Forster’s Wild Trajectory  The Criterion Collection

Haskell Wexler: “See, nothing is ‘real.'”  Roger Ebert

“Medium Cool” Director Makes Film on NATO Protests  NBC 5 Chicago

Haskell Wexler: 10 key films from a master cinematographer  BFI

With Biden Out, This X-Rated Masterpiece Just Became 2024's Most Important Film  MovieWeb