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The Empty Man Review: Carefully-Crafted Horror That Runs Off the Rails  The Film Stage

Woman With a Movie Camera: The Art of Not Looking Away in Kirsten Johnson’s “Cameraperson”  Los Angeles Review of Books

Jacques Derrida's Favorite Banana Bread in Manhattan  Atlas Obscura

Jacques Derrida on Seinfeld : “Deconstruction Doesn’t Produce Any Sitcom”  Open Culture

The Hidden Trans Meaning Behind This Sleeper Cult Horror Film Hit  them.us

October Books  The Criterion Collection

Reading Mulholland Drive through Post-Structuralism  Paste Magazine

Phantom Threads: Seven Ways of Looking at the Ghosts of Cinema  Film Comment

French Theory: How Foucault, Derrida, Deleuze, & Co. Transformed the Intellectual Life of the United States  Notre Dame Philosophical Reviews

Memory, Identity, and Film  Harvard University

Henri Langlois and the Cinémathèque Française  WNYC

Rediscovered Horror Film ‘The Empty Man’ Is Full of Inventiveness  Seven Days Vermont

In Netflix’s Dick Johnson Is Dead, a father and daughter imagine his death with humor and love  vox.com

Derrida  Entertainment Weekly

Review: In ‘Cameraperson,’ a Found Poem Filtered Through an Intent Eye (Published 2016)  The New York Times

‘A Cop Movie’ (‘Una película de policías’): Film Review | Berlin 2021  The Hollywood Reporter

Shorter is stronger: Three stunning, award-winning short films on Netflix  The Globe and Mail

'Savior Of Film,' Henri Langlois, Began Extensive Cinema Archive In His Bathtub  NPR

Lights! Camera! Think!  The Guardian

Religious Cinema for Non-Believers: Martin Scorsese’s 'Silence'  Bright Wall/Dark Room

Always in Motion: New York’s Greatest Independent and Art House Movie Theaters  InsideHook

Maryam Tafakory – interview: ‘We weren’t just learning to draw – we were tasting pleasures we weren’t allowed’  Studio International

'GHOST DANCE' (Published 1984)  The New York Times

How weird is Kristen Stewart? Olivier Assayas on making ‘Personal Shopper’  Financial Times

Literary Criticism Comes to the Movies  The New York Times

Le Gai savoir  PopMatters

Jacques Le Narcissiste  Artforum

Film socialisme; Last Year in Marienbad – review  The Guardian