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John Reed (1887-1920) | American Experience  PBS

October (Ten Days that Shook the World)  Wexner Center for the Arts

Francis Ford Coppola Reflects on His Career and Its Lessons  No Film School

Forty Years Later, Reds Is Still One of the Best Films Ever Made About Revolutionary Politics  Jacobin

Ten days that shook the world  spiked-online.com

Readers recommend: Andor, Jesse Welles, Eisenstein, and more!  Revolutionary Communist Party

The Russian Revolution in film  mercatornet.com

The End of Sergei Eisenstein:Case History of an Artist under Dictatorship  Commentary Magazine

In Excess of the Cut: Peter Greenaway’s “Eisenstein in Guanajuato”  Los Angeles Review of Books

Opinion | Ten Days That Shook the World (Published 1987)  The New York Times

Reds  The Nation

October (Ten Days that Shook the World) (1928)  IMDb

Soviet cinema: montage, revolution and the fight for artistic freedom  In Defence of Marxism

Review: ‘The Lion King’ Is Little More Than An Experiment | by Reece Beckett | Counter Arts  Medium

4 Socialist Movies to Watch During Quarantine  Left Voice

Ten films that shook the world: The Russian Revolution centennial  People's World

Review: ‘Eisenstein in Guanajuato’ Explores 10 Days That Changed a Filmmaker’s Life and Work (Published 2016)  The New York Times

Five Foreign-Policy Movies Worth Watching About Journalists  Council on Foreign Relations

Bolshevism for the 80’s  Commentary Magazine

Annette Michelson, Film Studies Pioneer and Journal Founder, Dies at 95 (Published 2018)  The New York Times

Netflixable? Italy discovers American-style DNA-CSI with “Yara”  rogersmovienation.com

Annette Michelson, Influential Film Writer, Is Dead at 95  WRAL

Eisenstein in Guanajuato half pulsates with sexual vitality  The Conversation

REDS: The Forgotten Anti-Capitalist Epic Of The 1980s  filminquiry.com

Review: Reds  Slant Magazine

Image gallery for October (Ten Days that Shook the World)  Filmaffinity

Coppola Reflects on a Legendary Career at the Cameo  Napa Valley Features | Substack

DVD Review: Warren Beatty’s Reds on Paramount Home Entertainment  Slant Magazine