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FILM REVIEW: ‘The Stranger’ directed by François Ozon The Berkshire Edge
Review: A new take on Camus' 'The Stranger' by a veteran French stylist digs unto the unspoken Los Angeles Times
The Stranger — breathtaking Camus adaptation examines the cost of life Financial Times
The Stranger movie review | Camus Can Do, But Ozon Ain’t The Fella To Film This Novella HeadStuff
‘The Stranger’ Review: Camus Comes to the Big Screen WSJ
This ‘sleek’ adaptation of Albert Camus’ novella is the ‘Frenchest film I’ve seen in years’ The Week
The Stranger Review: Alienated in Algiers The Austin Chronicle
The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic The Guardian
‘The Stranger’ in Paradise Out South Florida
‘The Stranger’ Review: François Ozon Unpacks French-Algerian Tensions in His Albert Camus Update IndieWire
A chilling reimagining of The Stranger gives the classic a black-and-white sheen AV Club
The Stranger filmreviewdaily.com
Review: French Filmmaker François Ozon Adapts Albert Camus' The Stranger with Haunting, Art-Filled Visuals Third Coast Review
In The Stranger François Ozon captures the many ambiguities of Albert Camus’s novel The Conversation
Camus’s The Stranger , It Turns Out, Is Still Relevant Vulture
The Stranger Who Invited Me Into My Own Bed The New York Times
François Ozon Says the Homoerotic Reading of ‘The Stranger’ Misses the Point IndieWire
Movie Review: François Ozon Does Justice to Albert Camus with ‘The Stranger’ InSession Film
To Experience the Horror Movie ‘Exit 8,’ Visit the Beacon Hill Light-Rail Station thestranger.com
In ‘The Stranger,’ gay director François Ozon adapts a classic French novel Gay City News
The Stranger Review: François Ozon Finally Gives Albert Camus’ Novel Its Cinematic Due The Film Stage
‘The Stranger’ Review: François Ozon’s Haunting Adaptation of an Existentialist Classic Slant Magazine
Film Review: The Stranger Is A Bleak, Beautiful Meditation That Lingers thescoop.au
FilmWatch Weekly: Camus’ ‘The Stranger’ on screen, Christian Petzold’s ‘Miroirs No. 3,’ and more Oregon ArtsWatch
The Stranger Updates ‘Existential Crisis’ National Review
He committed murder today. Or maybe yesterday. He doesn’t know. The Forward
The Stranger review: eerily beautiful, psychologically acute Camus adaptation The Irish Times
The Stranger review: an insightful re-reading of Camus | Sight and Sound BFI
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