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Isaac Julien Dreams Up a Beautiful and Urgent World at the de Young  KQED

Questioning the Place of Black Art in a White Man’s Collection (Published 2022)  The New York Times

Andrew V. Uroskie on the Whitney Biennial 2024  Artforum

How Filmmaker Isaac Julien Brought the Late Alain Locke, the First African-American Rhodes Scholar, Back to Life  Artnet News

Isaac Julien’s Truth  The Nation

The muchness of ‘Art Bash’  The Bold Italic

Isaac Julien’s Looking for Langston  MoMA

Whitney Biennial 2024  4Columns

Isaac Julien: What Freedom Is to Me review – ghosts, dandies and seduction  The Guardian

Exclusive: Isaac Julien to get new major retrospective in San Francisc  San Francisco Chronicle

Sir Isaac Julien: Cinematic Artist  FilmInk

Lost property  Meer | English edition

Mati Diop and the Cinema of Impossible Returns  The New Yorker

First Impressions From the 2024 Whitney Biennial  Hyperallergic

Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024? (Published 2024)  The New York Times

See Nearly Every Work on View at the 2024 Whitney Biennial  Artnet News

The 2024 Whitney Biennial in five key themes  The Art Newspaper

Moving Images at the Whitney Biennial  The Criterion Collection

Berlin Film Festival Unveils Full Panorama Selection  The Hollywood Reporter

The Whitney Biennial Can’t Go on Like This Forever  Artnet News

The lowdown on the Berlin Film Festival 2025 titles  Screen Daily

After 30 years, ’The Usual Suspects’ still has us asking what really happened  Substack

At the Whitney Biennial: Reaching for utopia, without protests  BKMAG

Isaac Julien: What Freedom Is to Me at Tate Britain  The Upcoming

Dahomey second look review: bringing it all back home  BFI

Why Is It Going That Way?  The Criterion Collection

Berlin 2025: Screen’s guide to the Panorama titles  Screen Daily

Today In The Culture, August 22, 2022: Sentrock Solo at Elmhurst Art Museum | Why Downtowns Will Not Die | National Film Preservation Grant to Chicago Film Archives  newcity.com